-Sookie
Hi,
there are so many articles and interviews about the tour flying around the internet right now. I don't know where to post so I've started a new thread.
nicole
www.dailycollegian.com/vn...5b15fdccdc
Make way for the 'geek in the pink'
by Michael Busack, Collegian Staff
October 07, 2005
Jason Mraz admits he probably isn't the most talented musician, but in an industry teeming with pre-packaged artists, Mraz knows what he wants, and is determined to get it.
"If I'm not interested in something, I just won't do it," Mraz said in a recent interview with the Daily Collegian.
The "Curbside Prophet" says his sophomore studio release, "Mr. A-Z," which debuted at #5 on the Billboard charts, was very much a well-thought, deliberate process.
"I wanted to try each song five or six times," Mraz said. "I wanted to know I was happy to have the strongest version of each song."
Mraz worked with acclaimed British producer Steve Lillywhite who has made legendary albums for bands like U2, the Dave Matthews Band and the Rolling Stones.
"It was pretty amazing," said Mraz of working with Lillywhite. "He's been making records as long as I've been alive. The guy has so much useful spunk, and he looks like he is 30 years old."
"He was the perfect guy for the job."
Mraz, who turned 28 in June, says he's not done learning about the process of making music.
"I'm not the most practical gifted musician on the scene," he said. "I really only know how to write my own songs, and that's about it."
"Mr. A-Z" was not a departure from Mraz's first studio release, "Waiting for My Rocket to Come," which Mraz says only took about five to six weeks to put together. The 12 track disc chronicles Mraz's life over the period of a year. Each song comes from a personal place in the singer/songwriter's life, be it his relationships, his friendships or the troubles of living his life as "the geek in the pink."
"Everything I write on both albums comes from honest situations and honest relationships, personal feelings," Mraz said.
"Few things that I write are fictional," he added. "I don't just put out. I just have a hard time believing it."
This is precisely why Mraz felt it was critical to spend more time in the studio with "Mr. A-Z."
"I wanted to know I was happy to have the strongest version of each song," Mraz said.
The first single off of the new album, a delightful pop-infused ditty titled "Wordplay," is perhaps one of the stronger cuts of the disc. Mraz mocks the very idea of what the stereotypical first single sounds like with his own. Ironic?
However, this song, or any song on the disc for that matter, is not a reflection of the entire album. Mraz stretches his range to the max infusing pop with a cappella, a touch of hip-hop, a dab of 80s pop and a liberal sprinkling of love song.
Lillywhite's presence in Allaire Studios, where the record was recorded, is obvious on the disc. Lillywhite has the keen ability to be able to present the artists, flaws and all. The sounds you hear on "Mr. A-Z" are a much better reflection of the live show that has made a name for Mraz. The artist's talents are emphasized on each track, while the raw emotion of the songs hasn't been polished off.
Mraz began a full tour in support of the album this September in San Diego. The road show will stretch through the United States and wind its way to the United Kingdom in 2006. Mraz has received rave reviews for his live performance in the past, but in an October 2003 article in the Daily Collegian, Mraz said touring was the most difficult part of the occupation.
"Life on tour is a blur," he said. "Whether it is a bus or a plane or a car, you are constantly surrounded by B.O. and B.S., looking out a window."
Today, Mraz says the road looks a little more complicated than just the B.O. and B.S.
"If ever you say to yourself, 'ahh, I wish I could sleep in my bed tonight,' those are the times you miss home," Mraz said.
"We have an amazing crew and band with us though, so it makes life on the road super easy," he added. "You have a lot of people working together to get the job done."
The live show is set to hit Boston this Sunday with opening acts Raul Midon and Carbon Leaf at the Orpheum Theatre. Ticket prices range from $25 to $28.50.







